1892-1895 World Tour Album XIII NATIVES - S. AFRICA, AUSTRALIA &c. BLOG 79

GEORGE  BULLOUGH  WORLD  TOUR  
 1892 - 1895 -  IMAGES OF NATIVES

Written from first hand research and illustrated with first generation copies of photographs in the album “Natives - South Africa, Australia &c.” in the library at Kinloch Castle, Isle of Rum, Scotland, by George W. Randall, co-founder in July 1996 and former Vice Chairman of Kinloch Castle Friends’ Association.

BLOG 79 CONTINUES ALBUM XIII 

NATIVES  -  S. AFRICA, AUSTRALIA &c.

                

George Bullough was twenty-two years old when he embarked on 

his three-year long Grand World Tour, 1892-1895, 

with his travelling companion, Robert Mitchell. 

The six-hundred photographs they collected of the late Victorian Era world  are mounted in twenty albums in the library at Kinloch Castle, Isle of Rum, Scotland.

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From: The Stirring Times Te Rauparaha by W. Travers - 1872

TYPES OF NATIVES    -    HIGH CLASS (left)  LOW CLASS (right)

Album XIII  *  Image 29  
Each nine image set 6 x 4 inches / Individual image 2 x 1¼ inches

TYPES OF NATIVES    -    HIGH CLASS

Album XIII  *  Single 2 x 1¼ inch original portrait from image 29.

The neck pendant is an Hei Tiki - hanging human form made of nephrite, a hard, 
pale green or white silicate of calcium and magnesium, a common form of jade.
The head of the pendant usually rests on the right shoulder of the wearer, 
as in this case, but it can also rest on the left.

TYPES OF NATIVES    -    HIGH CLASS

Album XIII  *  Single 2 x 1¼ inch original portrait from image 29.

TYPES OF NATIVES    -    HIGH CLASS

Album XIII  *  Single 2 x 1¼ inch original portrait from image 29.

TYPES OF NATIVES    -    LOW CLASS

Album XIII  *  Single 2 x 1¼ inch original portrait from image 29.

The feather cloak  - Kamu Kiwi - is made of Kiwi feathers with some brown feathers from the Kaka bird. The cloak's kaupapa (cloth foundation) is New Zealand flax 

with the feathers skillfully entwined into the rows during the weaving process.

It is usually worn by an important person.

TYPES OF NATIVES    -    LOW CLASS
Album XIII  *  Single 2 x 1¼ inch original portrait from image 29.

TYPES OF NATIVES    -    LOW CLASS

Album XIII  *  Single 2 x 1¼ inch original portrait from image 29.

TYPES OF NATIVES    -    LOW CLASS

Album XIII  *  Single 2 x 1¼ inch original portrait from image 29.

TYPES OF NATIVES    -    HIGH CLASS

Album XIII  *  Each single 2 x 1¼ inch portrait from image 29.

All three wear the  Hei Tiki, a human form neck pendant made of nephrite, 
a hard, pale green or white silicate of calcium and magnesium, 

a common form of jade. The head of the pendant usually rests on the right

 shoulder of the wearer, as in each case here, but it can also rest on the left.

MĀORI "PATUKA"  (STOREHOUSE)

Album XIII  *  Image 23 *  Size 8½ x 6 inches.

The Patuka or Storehouse is raised off the ground to allow air to circulate,

the doorway is known as a Kuwaha.  Primarily used for the storage of food, 

they are also used for Taonga, the safe keeping of the chief's treasures. 

Constructed of wood with Haliotis, ear shell inlay, known as Paua, its shape resembling the shape of the human ear.

MĀORI "PATUKA"  (STOREHOUSE)

Album XIII  *  Image 23 *  Detail from full size 8½ x 6 inches.

MĀORI CHIEF AND WHARE(NUI).    (Wharenui being a large Maori house.)

Album XIII  *  Image 22 *  Size 8 x 6 inches.

Maori Chief Te-Rangi Tahau reclines on a waikawa, (ground mat), on the porch 

of his home (wharenui) made from flax and wood, holding a patu or Onewa 

(a club made of basalt or nephrite, but can be made from whale-bone). 

A leader of his people, Chief Tahau was born in the late 1820's. 

He wears a Hei Tiki (pendant) round his neck made of nephrie. In adulthood,

his six foot four inch height and twenty-four stone (336-lb. / 152kg.) 

weight made him a formidable warrior. 

A woman (window right) and sleepy child (doorway left) are also in the photograph 

by Wheeler & Son, Christchurch.

(NEW ZEALAND) FLAX
Album XIII  *  Image 26 *  Size 8½ x 6 inches.

Flax grows in coastal, swampy areas and is known as Harakeke.

There are over fifty varieties. Maoris use it for making baskets, mats, clothes 

and in construction of their homes (wharenui). 

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GRASS HUT   NATIVES EATING.    NEW ZEALAND.

Album XIII  *  Image 21  *  Size 9 x 7½ inches

TIKI (MAORI GOD) Original by Wheeler & Son, Christchurch.
Album XIII  *  Image 27 *  Size 8 x 6 inches.

Taonga, Maori wood carvings, contain the spirits of their ancestors, 

something constant with a divine origin. Maori love and respect them 

as if they were living relatives.

TIKI (MAORI GOD) Original by Wheeler & Son, Christchurch.

Album XIII  *  Image 27 *  Detail from full size 8 x 6 inches.

THE PHOTOGRAPHER - EDMUND WHEELER & SON

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Reviewed with additional material 28 February 2023.

Copyright January 2019 George W. Randall Archive

NOW GO TO BLOG 80
Click on link below:

NEW ZEALAND  &  NEW CALEDONIA 1892 - 1895 WORLD TOUR OF GEORGE BULLO

GEORGE BULLOUGH WORLD TOUR 1892 - 1895 NATIVES - SOUTH AFRICA, AUSTRALIA &c.

                                                        

   GEORGE  BULLOUGH  WORLD  TOUR  1892 - 1895
NATIVES - SOUTH AFRICA, AUSTRALIA &c. 

Written and illustrated from first hand research by George W. Randall, 

co-founder in July 1996 and former 

Vice-Chairman Kinloch Castle Friends’ Association. 

George Bullough aged 23 yrs.

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George Bullough (1870 – 1939, later Sir George, Baronet) was three days short of his twenty-first birthday when his father John died on the 

25^th of February 1891 at the age of fifty-two.

Nineteen months later, in September 1892, twenty-two year old George embarked on a thirty-five month long world tour with his friend Robert Mitchell returning to Britain in August 1895 to be soon followed by what was termed a “six-month supplementary cruise” on his recently purchased ocean-going steam yacht Maria, which he renamed, Rhouma, arriving back at The Rhyddings his Accrington, Lancashire, England home in April 1896.

A twenty volume record containing over six hundred photographs 

of their travels is located in the library at Kinloch Castle, Isle of Rum, Scotland, Bullough’s Highland hunting lodge built 1897-1900.

Regrettably each picture has only the briefest title, sometimes no title and all no date.

                

Robert Mitchell

                                    

In 1896 Mr. Bullough agreed to have published a series of reports of their travels written by his travelling companion, Robert Mitchell in The Accrington Division Gazette 

INTRODUCTION:

SEE END NOTES.

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I personally transcribed, researched and illustrated all twenty-eight articles 

each published in full in my Art Treasures of Kinloch Castle Blog.

Sadly the articles only relate to half of the countries visited.

However, in order to complete my research I have selected a number of photographs from the remaining albums which cover China, California, New Caledonia, Batavia, Hawaii and Japan  - the latter hand-coloured.

Blog 78: Album XIII  -  Natives, South Africa, Australia &c.

commences with the amazing early life story of Mr. John Robert Dunn, 1834 - 1895,

and his reputedly “forty wives of various colours”

followed by a selection of photographs from the first half of Album XIII.

JOHN DUNN'S WHITE WIVES, HE WAS SUPPOSED TO HAVE 40 OF VARIOUS COLOURS

J. DUNN.   ZULULAND

Album XIII   *   Image 3   *   Full size 8 x 6 inches
George W. Randall Research and Photographic Archive

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Cared for by native nurses and playing with native children young John quickly 

learnt to speak both English and Zulu fluently. Financially secure 

Robert commissioned an impressive homestead overlooking the Indian Ocean, 

aptly called “Sea View”.

Over time John increasingly embraced the Zulu culture. His personality and 

linguistic skills combined with the adaptability of youth enabled him to 

naturally combine the inherited values of his roots with those of the land of his birth. 

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George W. Randall Research and Photographic Archive

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Life for John was idyllic. He loved accompanying his father on hunting trips and soon became very proficient with a rifle. In 1847, only thirteen years old, John witnessed a life changing event, his father being trampled to death by an incensed bull elephant.

Further tragedy struck two years later when an outbreak of the highly infectious viral cattle disease rinderpest wiped out ninety per cent of herds bringing financial ruin in its wake. In order to stave off disaster Anne Dunn was forced to sell “Sea View” and with her daughters return to Port Elizabeth, where in 1851 she died. John was seventeen years old, alone and penniless.

For the next few months John worked as a transport rider until his dishonest employer cheated him out of his wages due to “lack of contract”. Totally discouraged, abandoning so called civilised society; John withdrew into the bush - the haunts of big game in Africa - taking with him Catherine Pierce, the fifteen year old daughter of his father’s former assistant and a Cape-Malay woman. They led a nomadic existence along the Natal/Zululand border and in 1853 John and Catherine married.

As a young frontiersman, skilled with a rifle and fluent in the native language, John very soon came to the attention of retired army captain Joshua Walmsley, the British Border Agent, and son of the mayor of Liverpool. Walmsley took the “coarse and uncultured” nineteen year old under his wing and, with his support, finished his education at the end of which John was appointed Walmsley’s assistant. 

With a unit of native policemen John’s task was to monitor all traffic crossing the largest river in KwaZulu-Natal, the 310 mile long Tugela River from Zululand as it flows from the Drakensberg Mountains to the Indian Ocean.

Described by a contemporary, John Dunn was a “handsome, well-built man, about five feet eight inches tall with a good forehead, regular features and keen grey eyes. A closely-cut iron-grey beard hides the lower half of his bronzed weather- tanned countenance, the look of shrewdness and determination discernible in every lineament.

Wearing a tweed suit and wideawake hat he was more

neatly dress than the average colonist.

His manner being quiet and unassuming with no trace 
of self-glorification.”

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Meanwhile tension was mounting in Natal. Zulu king, Shaka, founder of the Zulu nation and its most influential monarch who had ruled for twelve years, had been assassinated in September 1828 to be succeeded by his half-brother Dingane who ruled until he was murdered in 1840, to be succeeded by his forty-two year old half-brother Mpande who ruled until he died naturally in 1872. Despite his lengthy reign it was King Mpande's son, Cetshwayo who was de facto monarch from 1856 ultimately succeeding in October 1872.

In August 1879 following many clashes, culminating in the Battle of Isandlwana* on the 22^nd January 1879 in which Zulu warriors overran Her Majesty’s 1^st Battalion, 24^th of Foot sending an icy shiver through Victorian society. Their complacency shattered, the British sent a far larger force to defeat the Zulu, which they did at the Battle of Ulundi on the 4^th of July 1879, the last major battle of the Anglo/Zulu War. King Cetshwayo KaMpande was deposed and exiled, first to Cape Town and then to London, where he presented his case in the presence of British officials before Queen Victoria. His pleas went unanswered.

In order to prevent any organised resurgence of Zulu power, Sir Garnet Wolseley, British High Commissioner for South Eastern Africa, divided Zululand into thirteen autonomous chiefdoms, by far the largest, which bordered Natal, was awarded to John Robert Dunn.  

Finally, after agreeing to keep the peace King Cetshwayo was allowed to return to his country in January 1883. He died at the village of Eshowe on the 8^th of February 1884.

*  Refer to:  British Battles.com - Battle of Isandlwana  
                     Norwegian Missionaries in Natal and Zululand 1844-1900 edited by Frederick Hale
                     Washing of the Spears by Donald R. Morris 
                      Zulu Victory by Ron Lock    
                      Rise and Fall of the Zulu Nation by John Laband 
                     The Anglo Zulu War - Isandlwana: The Revelation of Disaster by Ron Lock

*

ALBUM XIII   *   IMAGE 12   *   FULL SIZE 8 x 6 INCHES 

Witchcraft. Reading by the Shape of Bones on the ground

Where Anything is to be found When the Article has Been Lost.

DETAIL  -  Witchcraft. Reading by the Shape of Bones on the ground

Where Anything is to be found When the Article has Been Lost.

KAFFIR IN FULL WAR COSTUME

Album XIII  *  Image 14  *  Size 8 x 6 inches.

CIRCUMCISION DANCE
Album XIII  *  Image 19  *  Edited from full size 8 x 6 inches.

BUSHWOMEN & CHILDREN SOUTH AFRICA
ALBUM XIII   *   WOODCUT SIZE 3 x 1¾ INCHES

THIS PAPER WAS ORIGINALLY POSTED 25 JANUARY 2019.

REVIEWED  28 JUNE 2024.

ART TREASURES OF KINLOCH CASTLE

the Blog of George W. Randall.  

Copyright George W. Randall Archive.

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