Thursday, October 10, 2019

SAN FRANCISCO - YOSEMITE HONOLULU - WAIKIKI

SAN FRANCISCO - YOSEMITE
   HONOLULU  -  WAIKIKI 

Original photograph by Isiah West Taber (1830-1912), Montgomery Street, San Francisco. 


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WORLD  TOUR  1892-1895  of  GEORGE  BULLOUGH
Researched and written by George W. Randall Research, co-founder in 1996 and former Vice Chairman Kinloch Castle Friends' Association.


ALBUM  XIX  CONTAINS  32  PHOTOGRAPHS
all of which are reproduced here as first generation copies by George W. Randall.

Photographs 10 - 32 are identified as being the work of Isaiah West Taber,
West Coast America’s leading photographer in the late 19th century.


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George Bullough (right) was twenty-two years old when he embarked
 on a three year long world tour with his travelling companion, 
Robert Mitchell, in September 1892.

Bullough’s father, John, owner of Howard & Bullough, Ltd., cotton machinery manufacturers, Accrington, England, died on the 25th of March the previous year, three days short of George’s coming of age, leaving his eldest son a very wealthy young man.
The world they travelled was a car free world, a very different world, 
a world now beyond living memory, a world at the very height of the Victorian Era .....

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In 1896 Robert Mitchell recalled their experiences in a series of twenty-eight
articles published in the weekly Accrington Division Gazette, photo-copies of which 
were made available to me by Accrington Library and each of which I 
transcribed unaltered and illustrated from my copies of the twenty volume 
collection of photographs they brought back. 

Regrettably the articles only cover the first half of their global tour, 
ending 
with their visit down a diamond mine near Johannesburg in October 1893.

Photograph Album XIX contains thirty-two images commencing in Hawaii 
and concluding  with the magnificent “twenty-seven foot diameter Virginia 
and Maryland (giant sequoia) Mariposa Grove” 
in California’s Yosemite National Park.

The photographs are reproduced from my collection of  first generation copies 
from Mr. Bullough's originals. Each minimal title is as ascribed by Mr. Bullough.
Descriptive text researched and written by George W. Randall.

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HONOLULU - HAWAII
HAWAIIAN HOTEL, HONOLULU
Album XIX  *  Image 1  *  Size 9½ x 7 inches

The Hawaiian Hotel, on the Hawaiian island of  Oahu, was located on Richard Street,
Honolulu, the State Capital.
Constructed in 1871 and opened the following year, it was the brainchild of dental surgeon, newspaper editor, diplomat and member of the Hawaiian cabinet under King Kamehameha V forty-seven year old John Mott-Smith, and forty-three year old Charles Coffin Harris.
Harris was a New England lawyer who also became a Hawaiian politician - holding a number of cabinet posts including Minister of Finance - before rising to Chief Justice of the Supreme Court; between them they convinced the legislature to fund a hotel 
based on the ever increasing number of visitors.

HAWAIIAN HOTEL, HONOLULU
Album XIX  *  Image 1  *  Edited from full size 9½ x 7 inches

Despite much opposition  - “the project being either the product of an impracticable visionary or a cunningly contrived scheme for the personal aggrandizement of somebody, and erection of a fine roomy government house”, ...... ..... “the four hundred rooms unlikely to be filled”, 
 to the scheme being “a large blunder ... ”  -  a site on the corner of Richard Street and 
Hotel Street \was purchased and the hotel built at a cost of $116,528. 
Upon completion it was leased by the government to Swedish born Mr. Allen Herbert 
who operated it for two terms of five years until 1882.
 It was not until the mid-1880’s that occupancy exceeded capacity at which time twenty guest cottages were added to the four acre site and the complex renamed, The Royal Hawaiian Hotel.
For the next thirty years its location and luxurious first class facilities meant
 it was “the place to stay” in Honolulu.


Three years into the First World War the bungalows were demolished and the hotel operated as a YMCA until 1926 when it too was demolished.

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FORT STREET, HONOLULU
Album XIX  *  Image 2  *  Size 9 x 7½ inches

View down Fort Street from Hotel Street towards Honolulu harbour.  Benson, Smith & Co. 
and adjacent Hollister & Co., Ltd., were drug companies.
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SURF RIDING, WAIKIKI
Album XIX  *  Image 3  *  Size 9¼ x 7½ inches
(Note: Images 3 and 4 are on the same page in Album XIX)

Photographed against the backdrop of Diamond Head, Hawaii’s 762 foot iconic extinct volcano,
canoe surf riding on Waikiki Beach, though at the time not as popular as with a surf board, 
“required dexterous skill and strength to avoid disastrous results.” 
The canoe would be paddled out to the line of breakers. Take position and wait for an approaching ohu (wave) and paddle quickly until the swell of the cresting surf seized their boat and drove it beach-ward without the aid of paddles other than the steersman to guide it straight
 “but woe be it if his paddle should get displaced.”
                                                                                                                 Ref: Thrum’s Hawaiian Almanac – Surf Riding Culture.


SURF RIDING, WAIKIKI
Album XIX  *  Image 3  *  Detail from full size 9¼ x 7½ inches

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SURF RIDING, WAIKIKI
Album XIX  *  Image 4  *  Size 9½ x 7½ inches
(Note: Images 3 and 4 are on the same page in Album XIX)

The book “Yesterday in Hawaii” by Scott C. S. Stone, (First Edition published 2003),
identifies the lone surfer as Charles Kauha, adding he “exhibits two native proclivities
that would have been sternly discouraged by missionaries …
wasting time at the beach surfing and wearing almost no clothes.”
In fact Mr. Kauha is wearing a malo (Hawaiian loincloth) and carrying an Alaia Surf Board
 made from wood of the Acacia koa tree “having no ventral fins, relying on 
its sharp edges to hold the board in the face of the beach bound wave.”

Alaia Surf Boards were usually between five and twelve feet in length
and could weigh up to 100-lbs. (50-kgs).


A gravestone in Maluhia Cemetery, Honolulu reads:
 “Charles Kauha, Sgt. 1 Hawaii Inf. January 9, 1929.

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HULA  GIRLS (No. 70)
Album XIX  *  Image 6  *  Detail from full size 9 x 7½ inches


Full of rhythm, grace, sensuality and always done bare-foot Hula dancing was brought 
to Hawaii by Polynesian settlers where it became part of religious ceremonies. 
Carried out by both sexes it is today often performed at blessings and celebrations, 
a visit to Hawaii would be incomplete without enjoying, even participating in a hula dance.

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NATIVE  HULA  DANCE
Album XIX  *  Image 7  *  Size 9½ x 7 inches

                                                                                                          Hawaii Hula Company  -  https://hawaiihulacompany.com

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NATIVE  RIDING
Album XIX  *  Image 8  *  Size 9 x 7½ inches

The “Native Rider” is a Pa’u* Rider
wahine, Hawaiian for a woman horseback
 who wears a long, colourful skirt (to protect
 her legs when riding)  and rides side-saddle
 rather than astride.

It was Captain Richard J. Cleveland, 
first cousin to William Cleveland grandfather 
of U.S. President Grover Cleveland and 
master of the 175 ton berthen brig “Leila Byrd” 
who introduced horses to Hawaii in 1803.

Sixty-seven year old Kamehameha, 
King of Hawaii, apparently 
“disliked the creatures, partially on account 
of the amount of food they required.” 

Western sailors however took full advantage
 and enthusiastically rode the horses along the 
golden beaches. It was not long before the native 
men and women took to horse riding thereby establishing the long Hawaiian equestrian 
relationship which today includes cowboy
 riding, (a skill they learnt from Mexican 
livestock herders), known as paniolo believed to originate from the Hawaiian words for 
“hold firmly and sway gracefully.”

After a brief decline riding was given new impetus in 1906 by Lizzie K. Puahi at her home, near Waikiki with the establishment of official riding schools, monthly meetings which attracted women who practiced equestrianism becoming
 known as the Pa’u Riders Club.

* The word pau means skirt in the Hawaiian language.

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TARO PLANT USED AS FOOD
Album XIX  *  Image 9  *  Size 9¼ x 7 inches

Taro (Colocasia esculenta) is a perennial root vegetable with broad heart-shape leaves. 
It is believed to have originated from Southern India many centuries ago and brought 
to the Hawaiian Islands by Polynesians. It is low in fat, high in vitamin A (for growth and development, maintenance of the immune system and vital for eyesight), and full of complex carbohydrates essential for the body to function well.

The corm, (underground plant stem) is first cooked and then mashed at which time 
it is called pa’i ‘ai, being starchy and having the consistency of dough. 
Water is added during further mashing and again prior to eating in order to achieve the desired consistency. Depending on the resulting “thickness” the resulting Poi is classified as “one finger”, “two finger” or “three finger” referring to how many fingers are required to scoop it up; 
the thicker the Poi the fewer the fingers.
Highly nutritious, Poi can be eaten immediately when it is sweet, 
or left to ferment after which it becomes increasingly sour.

Today, Nigeria is the world's largest producer of taro at 3,637,627 tons per year. 
(2,240-lbs. = 1 ton)

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CALIFORNIA
San Francisco

 
Map from Encyclopædia Britannica Ninth Edition 1892.

The Encyclopædia Britannica of 1892
 
describes San Francisco as the largest commercial city of California. 
Census returns for 1850 put the population at 34,000, and 1880 at 233,959, breaking that down into 132,608 males and 101,351 females. “In social customs, trade usages, amusements and religious observances, the large foreign population contributes materially to the formation of its liberal and cosmopolitan characteur.” (San Francisco population today - 2019 - almost 880,000.)
“In the first stages of its history buildings were chiefly of wood, in many cases the frames and coverings having being brought from the Atlantic States round Cape Horn. Within a few months 
of the establishment of municipal government the city suffered severely from fire. 
The fire of the 4th of May 1850 destroyed property to the value of $3 million equal to
 almost $100 million in 2019. (Reference: official data.org). An even more destructive fire 
the following month caused $4 million of damage, while a third in September the same year 
caused half a million dollars’ worth of damage.
 These occurrences naturally led to the employment of more substantial building material, in some cases granite being imported from China! 
Other buildings utilised brick and iron, but even so in 1892 nearly all the private dwellings 
were of wood, principally red wood instead of pine.
The Bay of San Francisco extends past the city in a south-south-east direction for about
 forty miles, varying in width between seven and twelve miles. 
A three mile straight to the north leads to San Pablo Bay, ten miles in length
 and breadth having at its extremity the site of a navy yard (at Mare Island, 
the first United States Navy base on the Pacific Ocean coast).
The principal islands in the Bay are Alcatraz, 30 acres and Goat Island extending to 300 acres.

The following 23 photographs are identified as being taken by San Francisco photographer,

 Isaiah West Taber

THE ORIGINAL PHOTOGRAPHER

Isaiah West Taber was born on the 17th of August 1830 
in New Bedford, Massachusetts, where for almost five years, from age fifteen, he worked on whaling ships 
in the North Pacific Ocean. 
In 1850 he joined a Gold Rush party and moved to California, where, before returning east four years later 
he apparently "made money by selling a thousand pigs
 he had purchased in the Marquesas Islands." 
Back east in 1854 he worked as a sketch artist and, after studying dentistry opened a dental practice. 
He developed a keen interest in the emerging 
daguerreotype photographic process, later opening his first photographic studio at Syracuse, New York State in partnership with his younger brother,
 Freeman Augustus Taber.



In 1864, following an invitation from leading photographers on America’s West Coast, 
Henry William Bradley and William Herman Rulofson, Taber sold his Syracuse business 
to George K. Knapp & Co., and returned to California working for 
Bradley and Rulofson in their San Francisco studio at 429, Montgomery Street.

In 1871 he bought the business of local competitor, Charles and Hugo Nahl, Art and Photographic Gallery, in Montgomery Street, establishing his own photography business and gallery at No.8,  Montgomery Street, San Francisco, where his work quickly gained recognition.
Following the misfortunes resulting in foreclosure of American photographer 
Carleton E. Watkins, (1829-1916), Taber purchased his studio and entire inventory,
 including images of Yosemite Valley.
He reproduced Watkins' Yosemite photographs which significantly influenced the 
States Congress to designate the area a National Park encompassing
 almost 750,000 acres in October 1890.


By the late 1870's Isiah Taber's business was by far the most successful on America's West Coast. In 1880 Taber made a six-week photographic tour of the Hawaiian Islands and later California,   twenty-three of these photographs are identified as such in Album Nineteen recording George Bullough and Robert Mitchell’s World Tour 1892-1895.

By the 1890’s Taber had established himself as California's leading photographer
and ambrotypist,* his business having expanded to include studios in several in European cities
 and London (England) at Station Buildings, Acton Street, Hackney, under the name of
the Taber Bas Relief Photographic Syndicate.

Awarded the photographic concession at the first San Francisco Midwinter International Exposition held 1893/1894 in Golden Gate Park, three years later Taber travelled to London
 to photograph the pageantry of Queen Victoria’s Jubilee 
followed by a commission to photograph the Prince of Wales, later King Edward VII.

Isaiah Taber was seventy-six years old when the San Francisco earthquake and subsequent
devastating fire of 1906 destroyed his studio, entire stock of glass plates and career!

Fortunately he donated copies of his work to California State Library “that the state may
 preserve the names and faces, and keep alive the memory of those who made it what it is.”
Isaiah West Taber died of heart failure on the 22nd of February 1912 in his eighty-second year.


Ambrotypist: a positive photograph on glass utilising the collodion process.


REFERENCE:

“Pioneer Photographers of the Far West: A Biographical Dictionary 1840-1865”
by Peter E. Palmquist and Thomas R. Kailbourn - Published 2000 

I. W. Taber at Historic Camera (Google)



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GOLDEN GATE AND BLACK POINT
Via Pacific Coast Steamship Co’s Line
Album XIX  *  Image 10  *  Size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 5721

Golden Gate is the name given to the one mile wide entrance to San Francisco Bay from the Pacific Ocean. It was not until the 27th of May 1937 the almost 9,000 foot long Golden Gate suspension bridge linking the distant opposing headlands was opened.

GOLDEN GATE AND BLACK POINT
Via Pacific Coast Steamship Co’s Line
Album XIX  *  Image 10  
Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 5721





With headquarters in San Francisco The Pacific Coast Steamship Company was 
incorporated on the 17th of October 1876 out of the 
Goodall, Nelson & Perkins Steamship Company itself founded in 1867. 
The new company owned most of the coastal shipping of the day including passenger travel 
with tickets being sold at its Palace Hotel Montgomery Street, San Francisco, office.  

GOLDEN GATE AND BLACK POINT
Via Pacific Coast Steamship Co’s Line
Album XIX  *  Image 10  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 5721

Isaiah Taber’s photograph, taken prior to 1895, depicts the Black Point lead refinery and 
smelter of Thomas Henry Selby, 1820-1875, founded in 1865. 

Selby, an 1849 California Gold Rush immigrant from New York, was the thirteenth mayor of 
San Francisco serving a two year term from December 1869 to 1871.

From: San Francisco - The Imperial City 1899
In 1849, Selby in partnership with Philip Post were metal dealers and agents for Peter Naylor of New York, a manufacturer of galvanised metal houses for California and particularly rapidly growing San Francisco, 
founded by Spanish colonists as 
Presido of San Francisco on the southern shore of the Golden Gate in June 1776 and a “boom town” due to the Gold Rush 1848-1855.
In 1854 Selby was advertising as 
“Thomas H. Selby & Company,
 Importers of Metals.” 
By 1865 Selby and Naylor’s businesses had expanded into the working of base metal ores and bullion, with branches in Marysville 
and Stockton, California. 
The following year a shot tower
 (for the manufacture of lead shot) was constructed at Selby’s Golden Gate site followed by a
 lead smelting works in 1867. Naylor, who had had a 50% interest in the Selby & Co., died in 1872, followed by Thomas Selby in June 1875.

 In November the same year Selby’s business was incorporated as the Selby Smelting and Lead Company, today considered the pre-eminent manufacturer of lead products in the western
United States in the second half of the 19th century.
GOLDEN GATE AND BLACK POINT
Via Pacific Coast Steamship Co’s Line
Album XIX  *  Image 10  *  Detail from full size 9½ x 7½ inches  Original photograph by Taber, San Francisco Number 5721

Heading out of San Francisco Bay into the Pacific Ocean.

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 B517    CALIFORNIA STREET FROM SANSOME STREET,
SAN FRANCISCO, LOOKING WEST
Album XIX  *  Image 11  *  Size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number B517

Today running for almost 5¼ miles California Street is one of the longest
and steepest streets in San Francisco.
Isaiah Taber’s photograph shows several notable buildings and businesses, in particular
The German Savings and Loan Society 


 Edduart’s Gallery, California House Furnished Apartments and the tower of 
St. Mary’s Catholic Cathedral of the Immaculate Conception 
at the junction with Grant Avenue. 

The cornerstone of this Gothic Revival style church was laid in July 1853 
and consecrated the following year. 
For the next twenty years it was the tallest building in San Francisco. 
The red brick structure survived the devastating earthquake of 1906 
but the resulting fires left only the outer walls and landmark bell tower.

Extract from: “San Francisco – the Bay and its Cities”
American Guide Series - Published 1940

 The German Savings and Loan Society,

The new and “palatial” premises of 
The German Savings and Loan Society
at 526 California Street opened in December 1892. 

The article in the San Francisco Call 
(Vol. 73 No. 2) described it as a 
“substantial two-story structure 
with marble front of handsome design, 
it is absolutely fire and burglar proof from top to
 bottom (as well as being) fitted with all the latest conveniences in the banking line, and also with
 an eye to the comfort and convenience 
of employees as well as patrons. Special care (was) taken in the matter of lighting, hundreds of incandescent lamps and gas jets, solitary and in groups being distributed about the building. 
A large frescoed dome in the corner of the roof supplies all the light required during the day.” 



“In the front end of the basement is situated a large heater for supplying warmth to the different apartments. Immediately back of this is a locker-room filled with numbered cupboards for the use of the employees. There are also strong boxes built into the wall for the reception of books and records.”
The German Bank after the fire
which followed the earthquake of 1906.
German Bank façade before the
fire storm following the earthquake.

“At the rear end of the basement is a kitchen where a hot noonday lunch will be prepared each day for employees free of charge.” 
“The main floor, where the main banking is done, is a large, airy, well-lighted room 40 x 126 feet. Beautifully frescoed and finished in polished mahogany. 
The iron grill work guarding the counters is of artistic hand-wrought design, and the floor is laid in mosaic of peculiar and striking 
German Bank circa. 1915 (postcard)

  
design. Fitted with the latest Hale time locks the steel vault, which extends
 from basement to roof and in which gold and valuable
 papers are stored, is encased in Tennessee marble
 “in a high state of polish.” 

All the desks and counters in the deposit and loan 
departments are of polished mahogany. 
The president’s room is at the rear of the main floor. 
This is a small apartment tastefully furnished and
 housed in with glass and grill work.”
On the upper floor are a large meeting room for the directors,
 40 x 25 feet, small offices and lavatories finished in oak, beautifully frescoed and fitted with all modern conveniences. 

Altogether the building is a credit to the taste and enterprise
 of the German Savings and Loan Society of San Francisco.”

A second branch was later opened on the corner of
 Mission and Twenty First Street.

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 6696  VIEW OF KEARNEY AND MARKET STREET 
SHOWING CHRONICLE BUILDING
Album XIX  *  Image 12  *  Size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 6696

The Chronicle Building was San Francisco’s first skyscraper.

Built in 1889 with a brick and stone façade, described as being “Industrial Gothic”
 in style,  the Chronicle building was designed by Daniel Burnham & John Wellborn Root, 
among the most prestigious early designers of skyscrapers and one of Chicago’s 
leading architectural companies. 
The Chronicle was a morning newspaper with five regular editions daily 
and a circulation of 110,000. 
6696  VIEW OF KEARNEY AND MARKET STREET 
SHOWING CHRONICLE BUILDING
Album XIX  *  Image 12  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 6696

Located at the corner of Kearney and Market Street, it was the clock tower part of the building
 that suffered major damage in the San Francisco earthquake and subsequent fire of 1906. 
It was re-built by thirty-nine year old Illinois born architect Willis Jefferson Polk, West Coast representative for D. H. Burnham & Company (Root having died aged forty-one on the
 15th of January 1891 of pneumonia), who ran the Burnham office in San Francisco.
6696  VIEW OF KEARNEY AND MARKET STREET 
SHOWING CHRONICLE BUILDING
Album XIX  *  Image 12  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 6696
6696  VIEW OF KEARNEY AND MARKET STREET 
SHOWING CHRONICLE BUILDING
Album XIX  *  Image 12  *  Detail from full size 9½ x 7½ inches

Original photograph by Taber, San Francisco Number 6696

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Twelve years before Bullough and Mitchell's visit.

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INTERIOR OF COURT, 
PALACE HOTEL, SAN FRANCISCO
Album XIX  *  Image 13  *  Size 9½ x 7½ inches 
Original photograph by Taber, San Francisco Number 6026


 The Palace Hotel's Garden Court Entrance, visible through the pillars,
 led into a stunning seven story high atrium.

Inspired by the dream of San Francisco businessman, financier and visionary William “Billy” Chapman Ralston (1826-1875) the 755 guest room Palace Hotel, occupying an entire block of nearly two acres in downtown San Francisco opened its doors in October 1875 “to great acclaim.”
In 1864 Kansas born Ralston was co-founder with New York born Darius Mills, (1825-1910) of  the Bank of California , the first commercial bank in the Western United States and second richest in the nation at the time. Not only a banker, Mills was a prominent philanthropist and “for a time California’s wealthiest citizen.”
For his dream to turn San Francisco from a gold boom town - (the California Gold Rush 1848-1855) - into a booming metropolis “by erecting a hotel of timeless elegance and unprecedented luxury” Ralston chose Irish born, John P. Gaynor, New York's leading architect.  
Ralston and his business partner, William Tang Sharon, (from 1875 Republican Senator for Nevada), commissioned the very best architectural expertise “to study Europe’s finest hotels and make them pale in significance” to Ralston’s dream.

 Barely five weeks before the hotel’s grand opening Ralston was finally made aware “the $5 milliocost” “would exhaust his banking empire (and) ... the Bank of California would close.” The next day, the 27th of August 1875 Ralston’s body was discovered floating in San Francisco Bay.


At the time of its opening in 1875 the Palace Hotel
was the largest and most costly to build \in the world.
Undeterred by his partner’s tragic demise, Senator Sharon, (1821-1885), a real estate agent and, from 1864, manager of the Virginia City branch of the Bank of California, as  “main beneficiary of Ralston’s assets”, oversaw the completion and grand opening of the 120 foot high Palace Hotel on the 2nd of October 1875.
Guest's carriages entered through the Grand Garden Court entrance where five hydraulic elevators carried them and their luggage effortlessly to the hotel’s seven floors where each room was equipped with a fireplace, air conditioning and a call button to speedily summon the last word in service!

For guests  - and passersby – the hotel incorporated  the added convenience of  a ticket office  of the Overland Railroad on its Market and New Montgomery Street corner.

April 1906 brought disaster ... ... ...
At 5.12 am. on Wednesday the 18th of April 1906 a five mile deep, 7.9 magnitude earthquake struck the San Francisco Bay Area. The Palace Hotel survived but was destroyed in the ensuing fire which engulfed the city leaving it a burnt out shell.
But, like a Phoenix, after three years of restoration Palace Court opened its doors again. With the demise of horse drawn carriages and advent of motor vehicles the original carriage entrance was transformed into The Garden Court, “recognised as one of the world’s most beautiful public spaces.
William Sharon died aged sixty-four in 1885.


One of a series of hand-coloured design plans submitted for the Central Court 
of the Palace Hotel by architect, John P. Gaynor.

Extract from: “San Francisco – the Bay and its Cities”
American Guide Series - Published 1940




INTERIOR OF COURT, PALACE HOTEL, 
SAN FRANCISCO
Album XIX  *  Image 13  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 6026


From: San Francisco - The Imperial City 1899.

Highly Recommended Reading  -  Google :


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HOTEL DEL MONTE, MONTEREY, CALIFORNIA
HOTEL DEL MONTE, MONTEREY, CALIFORNIA
Album XIX  *  Image 14  *  Size 12 x 8 inches
Original photograph by Taber, San Francisco Number 101

The Hotel Del Monte, Monterey, was opened on the 10th of June 1880 by American railroad executive, fifty-seven year old Charles Crocker, a founding father of the Central Pacific Railroad, who along with three other extremely wealthy railway tycoons; Amasa Leland Stanford; 
Collis P. Huntington and Mark Hopkins commissioned building the hotel set in its own landscaped 126 acre park overlooking Monterey Bay on California’s Pacific Ocean coast, only 3½ hours 
south by rail from San Francisco. Open all year round the Del Monte was acclaimed
“to be the most elegant seaside resort in the world.”
Soon after opening a further 7,000 acres was added “being reserved especially as an adjunct … through which twenty-five miles of splendid macadamised roadway skirting the Ocean Shore and passing through extensive forests of spruce, pine, oak and cypress trees, and is within a quarter of a mile of the pure white sand beach which is unrivalled for bathing purposes.”
Charles Crocker died at the hotel on Tuesday the 14th of August 1888 two years after being seriously injured in a carriage accident in New York, his home city.

HOTEL DEL MONTE, MONTEREY, CALIFORNIA
Album XIX  *  Image 14  *  Detail from full size 12 x 8 inches
Original photograph by Taber, San Francisco Number 101
Catering for up to four hundred guests, 
opening charges were: $3 per day
 or $17.50 for the week.
As the first true resort with its parkland, polo grounds, race track,  golf course, boating lake, 
heated swimming baths (see Image 15) plus beautiful drives to Cypress Point (see Image 16), Pacific Grove Retreat and Point Lobos Hotel Del Monte was an immediate success, becoming popular with the wealthy and influential of the day, including, Nobel Prize winning author Ernest Hemingway, Theodore Roosevelt America’s 26th president and a galaxy of early Hollywood stars.
HOTEL DEL MONTE, MONTEREY, CALIFORNIA
Album XIX  *  Image 14  *  Detail from full size 12 x 8 inches
Original photograph by Taber, San Francisco Number 101
This area of the landscaped garden is depicted in the sketch below from:
 "Mexico, California and Arizona" by William Henry Bishop published by Harper - 1900.

                                                                                           From: “Mexico, California and Arizona” by William Henry Bishop published by Harper 1900.

Capable of accommodating 400 guests the original three story hotel was built entirely of timber
in “modern Gothic” style and measured 385 feet in length.
This Ground Floor Plan includes the immediate landscaped gardens.
Staff quarters were immediately behind the kitchens.


The hotel caught fire on Friday the 1st of April 1887, and was damaged in the San Francisco earthquake of 1906 in which two people died. 



The Hotel Del Monte Golf Course opened in 1897 as an eight hole course; 
it was increased to eighteen holes in 1903.
The course today is played under the rules of the United State Golf Association.
Image from: “Monterey Peninsula’s Sporting Heritage” John W Frost Published 2007

A 1911 Advertisement for the hotel in which comparisons between the scenic beauty of 
Monterey and the Italian Riviera continued to be promoted to the full.

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 The hotel was again destroyed by fire on the night of 
Saturday the 27th of September 1924.  

The fire of September 1924.

Two years following the second fire, which totally destroyed the hotel façade 
(lobby, verandah, billiard room and parlour), a third Hotel Del Monte was constructed 
in a “Spanish Style” designed by Lewis Hobart and Clarence Tantau  Snr. 
The surviving wooden buildings to the rear were covered in stucco and re-roofed with red tiles.
In 1943 the hotel was used as a World War II Navy training school.
In 1947 the Navy purchased the hotel and its 627 acres for $2,130,000.


The fire of September 1924.
From: “Images of America – Monterey’s Hotel Del Monte” by Julie Cain * Published by Arcadia  2005
ISBN 0-7385-3032-8



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INTERIOR OF BATH HOUSE HOTEL DEL MONTE
Album XIX  *  Image 15  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number B2257


As the hotel was the product of four wealthy railroad tycoons it is not surprising 
it should have been serviced by two passenger stops. 
The primary station served the hotel itself, whilst the second, the “Del Monte Bath House”, 
allowed passengers direct access to the luxurious bathing facilities and gardens by the beach. 

INTERIOR OF BATH HOUSE HOTEL DEL MONTE
Album XIX  *  Image 15  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number B2257


Records indicate the bath house itself “sat across the railroad tracks” on “24 acres of beachfront property with a pier and saltwater pump situated in Monterey Bay, … and incorporated a mix of interior baths, a large heated saltwater pool, changing stalls and a small restaurant; 
ocean swimming facilities were also included.” 


INTERIOR OF BATH HOUSE HOTEL DEL MONTE
Album XIX  *  Image 15  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number B2257

The pool was damaged and remained closed for twelve months following the 1906 San
 Francisco Earthquake which destroyed the hotel. 
It re-opened in 1907 following “massive renovation and expansion to the facility.

The bath house closed following the second hotel fire in September 1924; 
itself succumbing to fire in 1930.



Overview of Hotel Del Monte in relation to the Bath House and Monterey Bay.
Santa Cruz Trains: Railroads of the Monterey Bay
http://www.santacruztrains.com/feeds/posts/default?alt=rss

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CYPRESS POINT, MONTEREY, CALIFORNIA
Album XIX  *  Image 16  *  Size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number B2498


Shortly after the grand opening of the luxurious Hotel Del Monte set in its own 126 acres of magnificent landscaped acres on the 10th of June 1880 a further 7,000 acres was added and “twenty-five miles of splendid macadamised roadway skirting the Ocean Shore laid for the amenity of its affluent guests.” 
This very soon became one of California’s most celebrated scenic roads as it skirted the Pacific Ocean shore passing “through extensive forests of spruce, pine, oak and cypress trees, within a quarter of a mile of the pure white sand beach which is unrivalled for bathing purposes.” 
Taking a full day, horse drawn carriages departed the hotel taking guests on one of the most picturesque scenic tours along America’s west coast, known as the Seventeen Mile Drive, 
all along which “rare Monterey cypress trees so gnarled and twisted that (Scottish novelist and
 travel writer) Robert Louis Stevenson described them as 'ghosts fleeing before the wind.’”

The section of the route depicted in Image 16 was known as “The Loop".

Set in dramatic scenery Cypress Point is today a private eighteen-hole golf club.


                                                                                              From: "Abroad and at Home and " by Morris Philips 1891
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SEAL ROCKS, MONTEREY, CALIFORNIA
Album XIX  *  Image 17  *  Size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number B2499
 The Seal Rocks near Cliff House, San Francisco
Taber Photo. California B2191


Seal Rocks, and the nearby Bird Rock 
240 yards north, lie off a sandy beach at the mouth of Seal Rock Creek along Monterey Peninsula’s coastal “Seventeen Mile Drive”. 

During the breeding season the rocks are used by the northern fur seal, (Callorhinus ursinus), when the pups are born following a gestation period of one year. Male fur seals are over one third longer than females and over four times heavier.

From an engraving c.1882

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YOSEMITE  VALLEY  CALIFORNIA

STONEMAN HOUSE, HALF-DOME AND NORTH-DOME A.D. 1890
Album XIX  *  Image 18  *  Size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 5175


Because leaseholds were only granted for a maximum term of ten years many Yosemite Valley hoteliers were reluctant to make the on-going investment for repairs and improvements because of the uncertainty their lease would be renewed. 
STONEMAN HOUSE, HALF-DOME AND NORTH-DOME A.D. 1890
Album XIX  *  Image 18  *  Detail from full size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 5175


For this reason in 1885 California’s State Legislature appropriated $40,000
for construction of a 150 guest hotel to be named Stoneman House,
named after U.S. Army cavalry officer George Stoneman.

Stoneman, who rose to the rank of major general was Democratic governor of California from 1882-1886.  He died following a stroke in September 1894 aged seventy-two.
Stoneman House, Yosemite Valley, 1891.  English School.
fineartsamerica.com

The demand for more suitable accommodation than the very first hotels in Yosemite was
Met in 1887 with the opening of the four-story, 150 bedroom Stoneman House,
following the appropriation of $40,000 by the State Legislature specifically for that purpose.
A further $5,000 was available for furniture and water supply.
The contract was given to Carle, Croly & Abernethy, the lowest bidders at $38,975 and the hotel welcomed its first guests in 1887 under the management of Mr. J. J. Cook, previously manager of Black’s Hotel, near the site of the present Four-Mile Trail to Glacier Point.
With the opening of Stoneman House Blacks was demolished in 1888 as there was
“a unanimity of feeling (among the commissioners) that the old shanties and other
architectural bric-a-brac had done their service and should be torn down.”

The new hotel was described as a “bulky structure, not beautiful architecturally,
and (within) the first few years of its existence demonstrated that its design was faulty.”

In 1896, still under the management of Mr. Cook on an annual lease of $1,200
Stoneman House was destroyed by fire.


Reference:
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NORTH AND SOUTH DOME AND STONEMAN HOUSE 
FROM SOUTH WALL, YOSEMITE VALLEY 1894
Album XIX  *  Image 19  *  Size 9½ x 7½ inches
Original photograph by Taber, San Francisco Number 8591

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Digital photograph taken November 2011.
NORTH AND SOUTH DOME AND STONEMAN HOUSE (the roof-line just visible)
FROM SOUTH WALL, YOSEMITE VALLEY 1894

Full view of a badly damaged, unprotected and folded 
colour photograph measuring 34½ 17½ inches.


Digital photograph taken November 2011.
NORTH AND SOUTH DOME AND STONEMAN HOUSE (the roof-line just visible)
FROM SOUTH WALL, YOSEMITE VALLEY 1894

Detail from the badly damaged. unprotected sand previously folded
 colour photograph measuring 34½ 17½ inches.

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CATHEDRAL SPIRES  2660 FEET, YOSEMITE VALLEY 1894
Album XIX  *  Image 20  *  Size 9½ x 7¾ inches
Original photograph by Taber, San Francisco Number 6572 
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THREE BROTHERS SHOWING MERCED RIVER. YOSEMITE VALLEY 1894Album XIX  *  Image 21  *  Size 9½ x 7¾ inches
Original photograph by Taber, San Francisco Number 6606
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GLACIER POINT, 3300 FEET AND SOUTH DOME. YOSEMITE VALLEY 1894
Album XIX  *  Image 22  *  Size 9½ x 7¾ inches
Original photograph by Taber, San Francisco Number 6602

Located on the south side of Yosemite Valley, Glacier Point offers breath taking views of many 
of the landmark features within the 1,170 square mile National Park,
including Nevada, Vernal (image 24) and Yosemite waterfalls (image 25)
 and the most distinctive rock, the 2,000 sheer cliff face of  Half Dome.

The original four mile trail from Yosemite Valley to Glacier Point 
was completed in 1872 by John Conway. and cost at the time $3,000.
The following year a California '49er and cattle rancher named Charles Peregoy 
constructed the Mountain View House Hotel for the convenience of travellers on 
the Wawona to Yosemite Valley Trail. In 1878 Irishman James McCauley,
who acquired Pergoy's unfinished trail later selling it to the state of California for $2,500, 
had a two story hotel named Mountain House at Glacier Point.

                   GLACIER POINT, 3300 FEET AND SOUTH DOME.                                             YOSEMITE VALLEY 1894                                    Album XIX  *  Image 22  *  Detail from full size 9½ x 7¾ inches
             Original photograph by Taber, San Francisco Number 6602

The granite rock outcrop at Glacier Point where visitors 
in the past not only sat but did hand and one leg stands, as in this famous silhouette photograph, right, by George Fiske of Kitty Tatch and her friend Katherine Hazelston, waitresses at Yosemite’s Sentinel Hotel posing on the overhang in the early 1890’s, or the group of daredevils below, titled  “Living on the Edge” as they too pose apparently unconcerned about the 3,254 foot drop to the valley floor!

                                                                                                   historybyzim.com
Today a sign reads:

                      “DO NOT ATTEMPT SUCH FOOLHARDY STUNTS! YOU WILL DIE!”



Venturing onto the overhanging rock outcrop at Glacier Point 
was not for the faint-hearted as one false step would result 
in a fall “nearly a mile straight down.”

Yosemite Park became America’s third national park 
on the 1st of October 1890 
with Glacier Point one of its top attractions as it 
offered a panorama view of Yosemite Valley.

Venturing out onto Overhanging Rock, 
with its sheer drop of 3,254 feet, was a favourite 
for courageous but foolhardy Victorian visitors and photographers with their heavy tripod and plate camera. 

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ON THE TRAIL TO NEVADA FALLS YOSEMITE VALLEY APRIL 1895
Album XIX  *  Image 23  *  Size 9½ x 7¾ inches
Original photograph by Taber, San Francisco Number 6954

In 1895 almost 95% of Yosemite National Park was an undeveloped wilderness.
This is the Stairway on Clouds Rest Trail.

Clouds Rest is a mountain in Yosemite National Park, access to its 9,926 foot summit is along a 
14½ mile trail part of which in the 19th century involved negotiating this stairway.

ON THE TRAIL TO NEVADA FALLS YOSEMITE VALLEY APRIL 1895
Album XIX  *  Image 23  *  Detail from full size 9½ x 7¾ inches
Original photograph by Taber, San Francisco Number 6954

Highly recommended read:
    The Treasures of the Yosemite - The Century Magazine
Vol. XL No.4 August 1890

ON THE TRAIL TO NEVADA FALLS YOSEMITE VALLEY APRIL 1895
Album XIX  *  Image 23  *  Detail from full size 9½ x 7¾ inches
Original photograph by Taber, San Francisco Number 6954

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VERNAL AND NEVADA FALLS FROM GLACIER POINT,
YOSEMITE VALLEY APRIL 1894
Album XIX  *  Image 24  *  Size 9½ x 7½ inches

Original photograph by Taber, San Francisco Number 8955


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UPPER AND LOWER YOSEMITE FALLS, YOSEMITE VALLEY APRIL 1894
Album XIX  *  Image 25  *  Size 9½ x 7¾ inches
Original photograph by Taber, San Francisco Number 8955
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BRIDAL VEIL FALLS HEIGHT 860 FEET. 
VIEW FROM THE DRIVEWAY YOSEMITE VALLEY APRIL 1895.
Album XIX   *   Image 26   *   Size 9¼ x 7¾ inches.
Original photograph by Taber, San Francisco Number 6973

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UPPER YOSEMITE FALLS, 1,502 FEET. YOSEMITE VALLEY. APRIL 1895
Album XIX   *   Image 27   *   Size 9¼ x 7¾ inches. 
Original photograph by Taber, San Francisco Number 6963

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MIRROR LAKE YOSEMITE VALLEY 1897
Album XIX   *   Image 28   *   Size 9½ x 7½ inches. 
Original photograph by Taber, San Francisco Number 3043

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YOSEMITE STAGE BY FALLEN MONARCH, MARIPOSA GROVE 1894
Album XIX   *   Image 29   *   Size Size 9½ x 7½ inches. 
Original photograph by Taber, San Francisco Number 6619

The Fallen Monarch is estimated to have fallen over three hundred years ago.

The Mariposa Grove of Giant Sequoias, which includes Grizzly Giant, (Image 31)
was discovered by Canadian Galen Clark (1814-1910) in 1857.
He was an important figure in gaining legislation to protect the Grove and Yosemite
serving as Guardian of Yosemite National Park for twenty-four years.

YOSEMITE STAGE BY FALLEN MONARCH, MARIPOSA GROVE 1894
Album XIX   *   Image 29   *   Detail from full size Size 9½ x 7½ inches. 
Original photograph by Taber, San Francisco Number 6619

YOSEMITE STAGE BY FALLEN MONARCH, MARIPOSA GROVE 1894
Album XIX   *   Image 29   *   Detail from full size Size 9½ x 7½ inches. 
Original photograph by Taber, San Francisco Number 6619

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SECTION OF "WAWONA" 285 FEET DIAMETER, 275 FEET HIGH
Album XIX   *   Image 30   *   Size 9¼ x 8 inches. 
Original photograph by Taber, San Francisco Number 3049

Twenty-eight feet in diameter, 275 feet tall* with an estimated age of 2,300 years  “Wawona” 
was a famous giant sequoia, (Sequoiadendron giganteum), in the Mariposa Grove of Yosemite National Park. Under an exceptionally heavy snow load in 1969 “Wawona” succumbed and fell.

* These are the dimensions on the photograph. Today the official dimensions are given as: 
227 feet in height and 26 feet in diameter at the base with an estimated age of 2,300 years.

SECTION OF “WAWONA” 28 FEET DIAMETER, 275 FEET HIGH
Album XIX   *   Image 30   *   Detail from full size 9¼ x 8 inches. 
Original photograph by Taber, San Francisco Number 3049

In 1881* despite a slight lean, which increased afterwards,
the Yosemite Stage and Turnpike Company
instructed three brothers called Scribner,
(who were paid 75 dollars, equivalent to 1,947 dollars 
or 1,500 UK pounds in 2018),
to enlarge an existing scar caused by fire and tunnel 
through the tree creating a “tourist attraction which
 proved immensely popular.”

Visitors were photographed standing, riding through in horse drawn wagons, or, with the advent 
of the the internal combustion engine, drive through
 the twenty-six foot tunnel in motor cars.

The February snow of 1969 deposited an estimated 
two tons of snow on the crown of the tree, this top heavy weight brought “Wawona” crashing to the ground where it remains to this day providing habitat for all forms of wildlife and providing a foundation for new plant growth.
                                                                      
                                                                            * NOTE: The date June 1878 is also given.


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GRIZZLY GIANT, MARIPOSA GROVE 1894
Album XIX   *   Image 31   *   Size 9¼ x  inches.
Original photograph by Taber, San Francisco Number 6610

Its age estimated at 2,995 years* the Grizzly Giant is a giant sequoia in 
Mariposa Grove in California’s Yosemite National Park, 
it was last measured in 1990 by “Big Tree Hunter” Wendell D. Flint. 
Its trunk has a volume of 34,005 cubic feet making it the 25th largest giant sequoia living today.


* NOTE: In 2019 refined scientific dating methods resulted in a new age estimate for the
 Grizzly Giant 2,995 years old  –  plus or minus 250 years.
                                                                                              Source: Yosemite National Park Website.

Reference: JSTOR Vol. 47 No. 1.
 Estimated Ages of Some Large Giant Sequoias: General Sherman Keeps Getting Younger.  Nathan L. Stephenson, Western Ecological Research Center, Sequoia and 
Kings Canyon Field Station, Three Rivers, California.


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YOSEMITE STAGE BY FALLEN MONARCH, MARIPOSA GROVE 1894
Album XIX   *   Image 31   *   Detail from full size 9½ x 7½ inches.
Original photograph by Taber, San Francisco Number 6619

YOSEMITE STAGE BY FALLEN MONARCH, MARIPOSA GROVE 1894
Album XIX   *   Image 31   *   Detail from full size 9½ x 7½ inches.
Original photograph by Taber, San Francisco Number 6619
YOSEMITE STAGE BY FALLEN MONARCH, MARIPOSA GROVE 1894
Album XIX   *   Image 31   *   Detail from full size 9½ x 7½ inches.
Original photograph by Taber, San Francisco Number 6619

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“VIRGINIA AND MARYLAND” 27 FEET DIAMETER, MARIPOSA GROVE
Album XIX   *   Image 32   *   Detail from full size 11½ x 8 inches.
Original photograph by Taber, San Francisco Number A269

The Giant Sequoia “Virginia” measured 89.3 feet circumference at its base 
with a diameter of 28.4 feet. Its diameter ten feet above ground is recorded at 
18.4 feet, its height being 186 feet.


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George W. Randall Research and Photographic Archive  ©  MMXIX

END OF ALBUM XIX

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POSTED FRIDAY 1st NOVEMBER 2019




REVIEWED 10 AUGUST 2023