GEORGE BULLOUGH
Commissioned construction of Kinloch Castle
Oil Paintings at Risk.
Commissioned construction of Kinloch Castle
Oil Paintings at Risk.
Photographs, research and text © George W. Randall, co-founder in July 1996 and former Vice Chairman Kinloch Castle Friends' Association.
Two
portraits of George Bullough.
BACKGROUND INTRODUCTION:
Oil portrait of George Bullough while a pupil at Harrow School circa. 1882.
The original plain weave canvas, 26 x 31 inches (64 x 76 cms.),
is displayed in an ornate gilt frame in the Dining Room at Kinloch Castle.
Comparison with a dated 1886 Harrow School class photograph of George,
then aged 16, strongly suggests, allowing for artistic license,
his age in this portrait to be 12 years.
The painting
depicts George against a heavily wooded background,
his right hand resting on the neck of his dog
which is staring adoringly at its master.
Against his thigh he holds a red book in his left
hand, his index finger between the pages.
The 1996 Inventory by Phillips of Edinburgh
records the artist as “Hare”,
(St. George Hare (1857 - 1933), the same
artist who painted the portrait of John Bullough,
George’s father. Close examination reveals a
ghostly HARE signature in
upper case letters in the top left corner of
the work.
The painting
depicts George against a heavily wooded background,
his right hand resting on the neck of his dog which is staring adoringly at its master.
Against his thigh he holds a red book in his left hand, his index finger between the pages.
The 1996 Inventory by Phillips of Edinburgh records the artist as “Hare”,
(St. George Hare (1857 - 1933), the same artist who painted the portrait of John Bullough,
George’s father. Close examination reveals a ghostly HARE signature in
upper case letters in the top left corner of the work.
his right hand resting on the neck of his dog which is staring adoringly at its master.
Against his thigh he holds a red book in his left hand, his index finger between the pages.
The 1996 Inventory by Phillips of Edinburgh records the artist as “Hare”,
(St. George Hare (1857 - 1933), the same artist who painted the portrait of John Bullough,
George’s father. Close examination reveals a ghostly HARE signature in
upper case letters in the top left corner of the work.
The library at
Kinloch Castle contains a number of George’s Harrow school text books, the
pages of which bear testimony to his “doodlings” while supposedly
studying Greek, Latin or in this case;
mathematics.
Like many
schoolboys he was extremely keen on practicing his signature as the
cover of his 1885 copy of The Enunciations and Corollaries of Euclid’s
Elements shows.
Greek mathematician Euclid’s work remains one of the most influential in the history of geometry; it was required school reading well into the early 1900’s. George Bullough was a captain in the Scottish Horse Imperial Yeomanry.
From 1914-15 he was in the Remount Department procuring horses for the army with the rank of Major and Superintendent .
Three days short of his twenty-first birthday George's father died, leaving a personal estate of “£1,094,523:10:1d. in the United
Kingdom.”
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The Hugh Goldwin
Rivière portrait of Sir George Bullough, Baronet,
is displayed on the Great Hall Gallery at Kinloch Castle,
directly above that of Lady Bullough by the same artist on the ground floor,
each being a 40th birthday gift to the other.
is displayed on the Great Hall Gallery at Kinloch Castle,
directly above that of Lady Bullough by the same artist on the ground floor,
each being a 40th birthday gift to the other.
Sir George is portrayed standing in
morning dress: kilt, jacket, white shirt with turned down collar, single colour
tie and leather sporran. A decorative pin in the apron of his kilt.
He is resting back against a large carved coffer (chest) cap by his right hand and holding
a shepherd’s crook against his left side.
Long stockings, known as kilt hose, folded down at the top supported by garter flashes,
his sgian-dubh (a sheaved knife), partly concealed on his right leg.
Gillie Brogues complete Sir George’s Highland dress.
He is resting back against a large carved coffer (chest) cap by his right hand and holding
a shepherd’s crook against his left side.
Long stockings, known as kilt hose, folded down at the top supported by garter flashes,
his sgian-dubh (a sheaved knife), partly concealed on his right leg.
Gillie Brogues complete Sir George’s Highland dress.
The artist, Hugh Goldwin Rivière (1869–1956) was a
noted British portraitist of French Hugenot descent. One of seven children, his
father Briton Rivière was a member of the Royal Academy and his mother, Mary
Alice Rivière, exhibited at the Academy.
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